When discussing the 1980 film (also known as ), you are diving into a cornerstone of adult cinema history that defined an era of "porn chic" and high-concept storytelling. Directed by Stephen Sayadian (under the pseudonym Kirdy Stevens), it remains one of the most talked-about films of its time due to its transgressive themes and high production values. The Legacy of Taboo (1980) A Shift in Adult Cinema : Unlike many of its contemporaries, Taboo (1980)
The feature film (1980) is a notable title from the "Golden Age of Porn" known for its attempt to bring higher production values and a narrative focus to adult cinema. Directed by Stephen Sayadian (under the pseudonym Kirdy Stevens) and starring Kay Parker, the film became a significant cultural crossover success in the early 1980s. 📽️ Film Overview taboo 1 1980
LeMay’s performance challenges the viewer. One does not simply watch Taboo for titillation; one is forced to confront the character’s pain. In the climactic sequences, LeMay’s face communicates a mixture of ecstasy, guilt, and maternal confusion that is genuinely unsettling. It is because of her performance that the film avoids being exploitative schlock. She elevates the material to the level of transgressive art, similar to the works of Pasolini or Lars von Trier, albeit with a much smaller budget. When discussing the 1980 film (also known as
No discussion of Taboo 1 is complete without analyzing the performance of Dorothy LeMay. Prior to Taboo, LeMay was a typical ingénue of the adult world. With this film, she became its tragic heroine. Her portrayal of Barbara is raw and emotionally naked in a way that transcends the physical acts on screen. Williams, L
On the surface, Taboo follows Barbara (Kay Parker), a divorced woman in her late 30s or early 40s, who feels sexually unfulfilled and disconnected from her aging, cold lover. Her son, Paul (Mike Ranger), returns home after being away. Through a series of emotionally charged circumstances — loneliness, mutual attraction, and boundary dissolution — mother and son embark on a sexual relationship. The film treats this not as a comedy or a quickie, but as a tragic, guilt-ridden, yet passionate affair.
Note: This film should not be confused with the 2017 BBC/FX television series Taboo starring Tom Hardy, which is a historical drama set in 1814. Comedy & Taboo: A Filmmaker's Journey
PDW Paging Decoder SoftwareIntroductionSince 2003, Peter Hunt has developed PDW to the most important (free!) application to monitor POCSAG and FLEX. PDW has many users worldwide, from radio enthusiasts to professionals. After 10 years, Peter considers PDW as finished and he has stopped development. Peter, thank you for all your efforts! Meanwhile, PDW is Open Source. You can read more about that below. As of March 2013, this site is the official host for PDW. DownloadThe latest PDW version can be found here:
Open SourceSince April 2013, PDW is available as open source software. This enables others e.g. to enhance the functionality, or to develop a Linux version. You can find the Github project repository here. SupportI lack the time to give individual support with PDW. Please refer to the Forum on this site. DonationsSince Peter Hunt took over PDW in 2003, it has been freeware. Although Peter never wanted to earn money with PDW, some people kept on pushing him to offer a donation option. History [click to expand]When discussing the 1980 film (also known as ), you are diving into a cornerstone of adult cinema history that defined an era of "porn chic" and high-concept storytelling. Directed by Stephen Sayadian (under the pseudonym Kirdy Stevens), it remains one of the most talked-about films of its time due to its transgressive themes and high production values. The Legacy of Taboo (1980) A Shift in Adult Cinema : Unlike many of its contemporaries, Taboo (1980) The feature film (1980) is a notable title from the "Golden Age of Porn" known for its attempt to bring higher production values and a narrative focus to adult cinema. Directed by Stephen Sayadian (under the pseudonym Kirdy Stevens) and starring Kay Parker, the film became a significant cultural crossover success in the early 1980s. 📽️ Film Overview LeMay’s performance challenges the viewer. One does not simply watch Taboo for titillation; one is forced to confront the character’s pain. In the climactic sequences, LeMay’s face communicates a mixture of ecstasy, guilt, and maternal confusion that is genuinely unsettling. It is because of her performance that the film avoids being exploitative schlock. She elevates the material to the level of transgressive art, similar to the works of Pasolini or Lars von Trier, albeit with a much smaller budget.
The Dorothy LeMay FactorNo discussion of Taboo 1 is complete without analyzing the performance of Dorothy LeMay. Prior to Taboo, LeMay was a typical ingénue of the adult world. With this film, she became its tragic heroine. Her portrayal of Barbara is raw and emotionally naked in a way that transcends the physical acts on screen. 1. Synopsis Without ExploitationOn the surface, Taboo follows Barbara (Kay Parker), a divorced woman in her late 30s or early 40s, who feels sexually unfulfilled and disconnected from her aging, cold lover. Her son, Paul (Mike Ranger), returns home after being away. Through a series of emotionally charged circumstances — loneliness, mutual attraction, and boundary dissolution — mother and son embark on a sexual relationship. The film treats this not as a comedy or a quickie, but as a tragic, guilt-ridden, yet passionate affair.
Note: This film should not be confused with the 2017 BBC/FX television series Taboo starring Tom Hardy, which is a historical drama set in 1814. Comedy & Taboo: A Filmmaker's Journey
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